"[Thomas] composed a wonderfully imaginative, inventive and beautifully written percussion trio... I consider it to be one of the most effective percussion ensemble works ever written by a UT student."

Dr. Donald Grantham — Frank C. Erwin Jr. Professor of Music Composition, The University of Texas at Austin — Austin, TX read full review

"...his level of composition was extremely high. He possesses a fine ability to incorporate motivic development throughout his music, and the score is beautifully notated, musically interesting..."

Dr. N. Lincoln Hanks — Chair of Composition, Pepperdine University — Malibu, CA read full review

"I was busy being blown away, but Thomas Yee's paper on Eternal Sonata is really nice."

Dr. Ryan Thompson, Michigan State University
The North American Conference on Video Game Music 5 read full review

"I have been a professional composer for twenty years in Los Angeles and have never seen such professional orchestrations created by someone..."

Jason Johnson — Creative Director, Stimmüng Studios — Santa Monica, CA read full review

"Scoring a silent film requires deftness, both subtlety and brashness, all within overarching themes. Thomas' score was complex and melodic, and fit well with and enhanced the action on the screen."

Elaina Archer — Director of Archive & Legacy, Mary Pickford Foundation — Los Angeles, CA read full review

"Thomas not only scored with ease, but [also] captured the message, the spirit, the vision, and all technical aspects of the project as a whole. His ability to score any project is without question."

Kim Robinson — Director, KICKS Flicks — Sunbury, OH read full review

"Thomas, our Composition Seminar at Pepperdine just watched you conduct [Pale] Blue Dot! Brilliant! Really gorgeous writing."

Dr. N. Lincoln Hanks — Chair of Composition, Pepperdine University — Malibu, CA read full review