"Thomas’s vocal composition in Eva and the Angel of Death allowed me to act through my singing in a really authentic way. I was able to use my voice authentically to portray a young girl, fear, resolve, resentment, love, grief, and eventually freedom in forgiveness. Singing Thomas’ version of Eva was a visceral experience for me. Even though our premiere performance was on a tight budget with no real set, Thomas’ use of the orchestra gave me all I needed to work with to root me in each scene."

Page Stephens, Mezzo-Soprano (Eva Mozes Kor in Eva and the Angel of Death)